For the next 13 months we'll discuss the trials, triumphs, and tribulations of exhibiting in art shows as emerging artists and established artists. Exhibition coverage will be balanced with tips on how to strategically build a legacy over a length of time, in a way that makes sense to your individual goals as an artist. Join us each month! There will be surprises around every corner, with photos, videos, SNAG conference coverage, and occasional interviews by rising artists!See More
Australian landscapes are old, powerful and strange to Eurocentric eyes. To Indigenous Australia, whose pre-colonial history stretches back something like 60,000 years, every part of the landscape was active and spirited, full of story, meaning and relatedness. Contemporary mainstream Australia views the land as a resource to be measured, assessed, and exploited, without agency and devoid of meaning beyond economic value.This exhibition presents the work of Australian craft artists who engage…See More
This exhibition focuses on a side of the brooch we usually do not pay much attention to: the back side. Our first look is naturally always trained at the front, but when we do take the time to look at the back of a brooch, it will oftentimes reveal a surprising aspect for us, a delightful little secret. With this exhibition, I would like to let you in on that secret, something that typically only the maker and the wearer know about. I hope you will enjoy with me this selection of brooches by…See More
Even though Thailand is well-known for its craft and mass-produced decorative products, its craft-based contemporary art is relatively unknown to both local and international markets. Therefore it was my great pleasure to be able to let the world see the kind of craft-based contemporary art created by Thai artists within the past few years. In this exhibition three fields of craft-based contemporary art are presented: ceramics (4), jewelry (3) and wood (1). I hope you enjoy and appreciate…See More
“Ferrous”- A Cooperative Exhibition between Velvet Da Vinci Gallery, SF and crafthaus. Exhibition dates: March 1 - April 14, 2013Simultaneous exhibition at Velvet da Vinci Gallery, SF and crafthaus (online)!See More
Welcome to crafthaus, the network for fine craft artists and those who support them! I am very glad you joined us! Your crafthaus membership is valid through September 15, 2012.
Please look around and add your thoughts to the groups, blogs and discussions. Crafthaus is a participatory sport!
Please note that ALL images sent to the website editor are vetted to assure a measure of overall quality control. Unlike other image sharing websites, crafthaus is not a "free-for-all". Our members present their work in front of an educated and critical audience (their peers,) so the photos have to be GREAT. Our goal is to show our members' work in the best possible light. From the many images received daily, we aim to post as many as possible. Crafthaus heartily encourages comments from the membership, however, with regard to photos posted or not, we have a strict "NO WHINING" policy in effect!
If there are ever any questions or concerns, please don't hesitate to email me via email@example.com anytime, I will do my best to be of help.
I hope you will enjoy being with this network, and will find the exchanges interesting and fun.
The good life that society prescribes -- the untrammeled pursuit of wealth and fame, leisure and consumption -- often leaves some essential part of us malnourished. We may be capable, competent individuals yet find ourselves starved for avenues of engagement that provide more satisfying…See More
On March 15th, 2014 at 1pm there will be a panel discussion focused on the future of art in Los Angeles at Flower Pepper Gallery. The panelists are Mat Gleason (Coagula, Huffington Post, Coagula Curatorial), Marlene Picard (Collector & Picard Pick Art on Facebook), Jim Daichendt (Art Historian & Author of "Stay Up! Los Angeles Street Art", "Shepard Fairey Inc."), A.Moret (Editor-in-Chief of Installation Mag), and Khoi Nguyen (Social Media Manager and Director of West Coast for…See More
I think a polymath’s mirror is more of a prism. We look at ourselves and the world in broken partial images. Piecing it all together doesn’t assemble in any ordinary way - or even the same way twice. The trick is making that work to our advantage, or least not be a detriment. I often find myself rattling all the complications and possible directions in my life like dice and throwing them down to see if randomness can make something happen or if I should roll again.Whenever I look back over the…See More