I was surprised and thrilled when I found out that Caroline Gore was going to be our key note speaker this year. I've been in love with her work since even before I saw her solo show during the SNAG conference in Houston. Caroline's talk Shifting Tradition: A Journey Through Lineage covered the work she completed while in graduate school here at ECU, and during several residencies including the Fiskars Residency in Finland, Bemis Center for Contemporary Arts in Omaha, Nebraska,Florence, Italy and a workshop with Ruudt Peters.

Brooch: Shadowpants 2010
Oxidized sterling silver, gold solder, cotton, silk, thread
21 x 12 x 5 cm
At Palazzo Acciaiuoli, Certosa of Galluzzo, Florence, Italy 
photographic reference to site observation, 2007

It was fascinating to see how much the environment affected her work.  I love seeing the images next to the jewelry pieces, that direct influence. But Caroline also talked about the intangible aspects of the environment: the city noise in Florence, taking daily walks in Finland, and the storms in Omaha. One of my favorite things she spoke about was seeing moon jellies in an aquarium in Australia, lit in red. She took dozens of pictures, but didn't really do anything with them until years later. I love this example of how as an artist, you just physically and mentally collect whatever speaks to you, not knowing when or how it's going to manifest itself later. This story really resonated with me, since this sort of thing has been happening in my work for the past year or so.

Brooch: Micro/Macro 2010
24K gold leaf, oxidized sterling silver, leather, bone, glass, thread
8 x 10.5 x 2.5 cm
Along River Tay, Dundee, Scotland, United Kingdom
photographic reference to site observation, 2007

Caroline also gave some great general advice on making work. She talked about not letting your own expectations, or those of other people get in the way of your work, and on the value of letting things go. She told us all that what we make is unique and valid and never to question that, and that authentic work sells itself. Two things I know to be true, but too often forget. She said as artists, we need to know when to shout and when to whisper, something I'm still trying to work on.

Necklace: The Shape of Absence 2010
18K gold, silk ribbon, thread
71cm in length
Absence: by Train & on foot, Dundee, Scotland, United Kingdom
photographic reference to site observation, 2007

 It was great to see all of these examples of Caroline's work, even just as images, and to hear how they came about. But I think what sticks with me the most is her attitude towards her work. You don't make work because of some class or assignment. You make work because you need it as much as you need to breathe air. And you make work about what speaks to you, whether it be your dog, or some rocks on the ground, or something you saw years ago. You don't have to make the type of work other people expect you to make. Or even what you expect yourself to make.

 

I'd like to leave you with three short bullet points from my notes, which I'm going to go post up in my space. Again, these are things we know, or should know, but always bear repeating:

 

- loosen up

-don't worry so much

-work from the core

 

Thanks for reading.

Views: 120

Replies to This Discussion

-loosen up

-don't worry so much

-work from the core

 

I will print this out and put it above my desk! Right now.

Thanks for the post, Liz. This is GREAT information indeed.

I'm so glad you liked it! It was rather difficult to distill down such an inspiring talk, and not garble too much in the translation.
Fabulous, definitely one of my favorite experiences this symposium....whew and what a great time to hear those words!
Really interesting!
Thank you for sharing this experience with us. Very inspiring!

RSS

Latest Activity

Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"something for the diary."
yesterday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"The Goldsmiths' Company Elects a New Prime Warden Each year, four Assistants at the Goldsmiths' Company are elected to become Wardens, who meet regularly and act as the Company's executive committee. The senior warden is known as…"
yesterday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"28th March 2018As part of the updates to our service provision, we are introducing some new business rules. These are designed to bring clarity to our internal processes, and ultimately make our service more efficient for you. Technical…"
yesterday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"Call for applications: Talente Competition 2019 https://www.hwk-expo.de/#/expoOverview"
yesterday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"@NewDesigners This 27-30 June & 4-7 July @NewDesigners gathers more than 3,000 of the brightest and most radical new creative minds to launch the next generation onto the UK design scene. newdesigners.com/tickets "
yesterday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"ARTICLE IDEA AS MATERIAL In English/Eesti Keeles by Urmas Lüüs "I have heard from several ceramic artists that they have found themselves thinking about this question: What’s more important, the vessel or the space inside…"
yesterday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"Eyes on China - Arts and Creative Economy…"
yesterday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"Call for Applications for Handmade Edinburgh 2018 https://www.handmadeinbritain.co.uk/events/handmade-edinburgh/"
yesterday

Videos

  • Add Videos
  • View All

© 2018   Created by Brigitte Martin.   Powered by

Badges  |  Report an Issue  |  Terms of Service