Becky Keck's Groups (9)

  • Signature Work

    69 members Latest Activity: Jan 14

    Signature Work... a distinctive piece representing our body of work that identifies us as artists.

  • Studio Sanctuaries - Part 2

    154 members Latest Activity: Dec 25, 2012 Few things are more important to an artist than their workspaces. Part sanctuary, part workshop, part hang-out: This exhibit honors our studio spaces…

  • Touchstone Center for Crafts

    19 members Latest Activity: Aug 30, 2012

    Touchstone is a unique three-seasons craft school in the beautiful Laurel Highlands, only 60 miles southeast of Pittsburgh,…

  • Plastic + Metal

    158 members Latest Activity: Feb 4, 2013

    Plastic + Metal will be highlighted on Crafthaus from March 13 - April 13. This online exhibition shows different perspectives on how Crafthaus…

  • Recycled Adornments

    89 members Latest Activity: Sep 21 A group dedicated to adornments created from reclaimed, recycled and re-purposed materials. Share photos, ideas, constructive criticism and a love…

  • Humor in Craft (Book Project)

    70 members Latest Activity: Oct 9, 2013 "Humor in Craft"
    Author: Brigitte Martin

  • Co:Operation Tableware

    147 members Latest Activity: Oct 28, 2012 An exhibition featuring work by pairs of artists who develop, and cooperatively create a set of functional (or nonfunctional) tableware. Exhibited at…

Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

Latest Activity

Heather Perry is now a member of crafthaus
21 hours ago
Brigitte Martin posted blog posts
21 hours ago
Brigitte Martin posted a video

Entfaltung collapsible fashion by Jule Waibel

See more architecture and design movies at http://www.dezeen.com/movies Royal College of Art graduate Jule Waibel has designed a series of folded paper clothes and accessories including a dress that adjusts and expands as you move and a…
22 hours ago
Lindsey Snell posted photos
yesterday
Stefanis Alexandres liked Vicky Saragouda's photo
yesterday
Stefanis Alexandres liked Vicky Saragouda's photo
yesterday
Brigitte Martin posted blog posts
Monday
Harriete Estel Berman posted a status
"The merchandising of making exploits new technologies & brings fresh blood, but comes at a cost as well.http://j.mp/1wBtHYH"
Monday
Harriete Estel Berman posted a status
"Craft World Sucks Like Vampires http://j.mp/1wBtHYH"
Monday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"The Goldsmiths' Centre in Clerkenwell is the leading charity for the professional training of goldsmiths. We run a dynamic programme of courses, workshops and events for those working or aspiring to work in the industry. SETTING OUT 2015Are you…"
Monday
The Justified Sinner commented on Brigitte Martin's blog post Ayasha Wood - Embroidery
"Impressive!  I love the embroidered tweed. "
Monday
Harriete Estel Berman commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"I just love the way Dauvit Alexander uses his materials. While the selection of a "corroded iron cap from an oil-tank" and a "polycarbonate reflector material from a crashed car" are unorthodox choice of materials, they are…"
Sunday

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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