Thank you again for participating in our NCECA exhibition. Your work is amazing and I overheard quit a number of people commenting on it and spending significant time with each piece. Keep doing what you do best!
Your work is absolutley wonderful! What clay body and glaze/finishing do you use?
No comments yet!
Where do you live ? City, State and Country
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Adjunct Instructor at the University of Dayton
I am a .... Example: Student, Maker, Educator, etc.
The driving force behind my sculpture is the relationship of science and art. Collections, categories, labels, frames, and display cases are all devices used by science and art to encourage the viewer to carefully examine precious objects and artifacts. My intention as an artist is to create a playful shifting back and forth between our traditional ideas of a scientific specimen and art object.
My work is constructed from a combination of various interests, experiences, and memories, which generate exponential possibilities for continuing my drive as an artist. I am continually inspired and amazed by the germination of a seed, the birth of a baby, and the intricate web of relationships among humans, plants, and animals. Although my work is laden with personal lived experience, it is my hope that all viewers relate to my work in a way that evokes memory, wonder, and curiosity.
I utilize the malleable characteristics of clay to create small-scale sculptures, which resemble preserved scientific specimens. The forms display warty surfaces, soft, fleshy folds, and puckered openings, suggestive of organic growth. I use clay primarily for its material and technical possibilities and its chameleon-like ability to mimic organic form and surfaces. The aesthetic characteristics of glaze allow me to achieve a surface depth similar to a membrane or skin of an organism.
Although our way of seeing the natural world has dramatically advanced, the mysteries surrounding this world are ever present. My work celebrates this sense of mystery, existing somewhere within the border of illusion and reality. I intend for this exhibition to create a visual dichotomy as a seemingly authentic scientific collection is displayed in a contemporary art setting.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
"2016 Desire Jewellery & Silversmithing Fairs26-28 February - Chelsea, London 11-13 November, Winchester
Click Here For Booking Forms and Further Informationhttp://www.craftinfocus.com/exhibitor_downloads.html"
"2016 Craft In Focus and CDE Events 26-28 February - Chelsea - London (Desire Jewellery & Silversmithing Fair) 8-10 April - Canterbury 28 April - 2 May - RHS Garden Wisley
24-26 June - Henley on Thames 26-29 August - RHS Garden Hyde Hall 21-23…"
"Robert Organ makes Professional Jeweller's Hot 100...
Deputy Warden and Head of the Assay Office, Dr Robert Organ poses for Professional Jeweller wtih Nagi
As a result of the work carried out to support students and…"
"Steve Collins runs first CPD accredited course
Head of Customer Services, Steve Collins, presented to a packed auditorium at the Registered Valuers' Conference in Loughborough this month.
His talk on Fakes and Forgeries was extremely…"
"WELCOME TO THE GOLDSMITHS' CENTRE. A unique community for jewellers, goldsmiths and the public.
Our season starts with A Sense of Jewellery, rediscovering British jewellery design through the work of 40 artists from last 40 years. In…"
"A Book—About You! A Call to Artists Working in Craft Disciplines.
A Book—About You!
Metalsmith David Bacharach and jeweler Valerie Hector are compiling a book, "Craftspeople In Their Own Words." This book will be all about…"