Thank you again for participating in our NCECA exhibition. Your work is amazing and I overheard quit a number of people commenting on it and spending significant time with each piece. Keep doing what you do best!
Your work is absolutley wonderful! What clay body and glaze/finishing do you use?
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Adjunct Instructor at the University of Dayton
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The driving force behind my sculpture is the relationship of science and art. Collections, categories, labels, frames, and display cases are all devices used by science and art to encourage the viewer to carefully examine precious objects and artifacts. My intention as an artist is to create a playful shifting back and forth between our traditional ideas of a scientific specimen and art object.
My work is constructed from a combination of various interests, experiences, and memories, which generate exponential possibilities for continuing my drive as an artist. I am continually inspired and amazed by the germination of a seed, the birth of a baby, and the intricate web of relationships among humans, plants, and animals. Although my work is laden with personal lived experience, it is my hope that all viewers relate to my work in a way that evokes memory, wonder, and curiosity.
I utilize the malleable characteristics of clay to create small-scale sculptures, which resemble preserved scientific specimens. The forms display warty surfaces, soft, fleshy folds, and puckered openings, suggestive of organic growth. I use clay primarily for its material and technical possibilities and its chameleon-like ability to mimic organic form and surfaces. The aesthetic characteristics of glaze allow me to achieve a surface depth similar to a membrane or skin of an organism.
Although our way of seeing the natural world has dramatically advanced, the mysteries surrounding this world are ever present. My work celebrates this sense of mystery, existing somewhere within the border of illusion and reality. I intend for this exhibition to create a visual dichotomy as a seemingly authentic scientific collection is displayed in a contemporary art setting.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
This exhibition focuses on a side of the brooch we usually do not pay much attention to: the back side. Our first look is naturally always trained at the front, but when we do take the time to look at the back of a brooch, it will oftentimes reveal a surprising aspect for us, a delightful little secret. With this exhibition, I would like to let you in on that secret, something that typically only the maker and the wearer know about. I hope you will enjoy with me this selection of brooches by…See More
Makers, Metalsmiths, and other Monikers.What do you call yourself? Where do you belong in the Polarized Convocation of Jewelers?This blog is a research-based discussion of personal inclusions in the Jewelry/Metals field and the titles and boundaries that define us as artists.See More