Kim Ries Whittington
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Lisa Crowder and Kim Ries Whittington are now friends
Jan 18, 2011
Kim Ries Whittington joined Mary Jarvis's group
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HMAG

Houston Metal Arts Guild is organized to provide education of and promote public awareness and interest in the metal arts and enrich the local community through activities promoting the metal arts.
Oct 12, 2010
Kim Ries Whittington joined Brigitte Martin's group
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SNAG

Society of North American Goldsmiths is the Premier Association for Jewelry, Design and Metalsmithing.
Oct 12, 2010
Sandie Zilker left a comment for Kim Ries Whittington
"Welcome to Glassell!"
Aug 13, 2010
Kim Ries Whittington is now a member of crafthaus
Jun 15, 2010

Profile Information

Where do you live ? City, State and Country
Galveston, TX
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Studio
I am a .... Example: Student, Maker, Educator, etc.
I recently graduated from FIT in NYC with a degree in Jewelry Design and made a drastic move to Galveston, TX (for my husbands job). Im currently trying to find a job in the jewelry industry in Houston. Any suggestion/leads would be greatly appreciated!
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://kimwhittington.carbonmade.com

Comment Wall (2 comments)

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At 6:25pm on August 13, 2010, Sandie Zilker said…
Welcome to Glassell!
At 8:00am on July 20, 2010, Brigitte Martin said…
Thank you very much for your membership payment and support of crafthaus. Your membership is valid through July 15, 2011.

Enjoy crafthaus ! Participate often :-)
 
 
 

Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

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Entfaltung collapsible fashion by Jule Waibel

See more architecture and design movies at http://www.dezeen.com/movies Royal College of Art graduate Jule Waibel has designed a series of folded paper clothes and accessories including a dress that adjusts and expands as you move and a…
yesterday
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Harriete Estel Berman posted a status
"The merchandising of making exploits new technologies & brings fresh blood, but comes at a cost as well.http://j.mp/1wBtHYH"
Monday
Harriete Estel Berman posted a status
"Craft World Sucks Like Vampires http://j.mp/1wBtHYH"
Monday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"The Goldsmiths' Centre in Clerkenwell is the leading charity for the professional training of goldsmiths. We run a dynamic programme of courses, workshops and events for those working or aspiring to work in the industry. SETTING OUT 2015Are you…"
Monday
The Justified Sinner commented on Brigitte Martin's blog post Ayasha Wood - Embroidery
"Impressive!  I love the embroidered tweed. "
Monday
Harriete Estel Berman commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"I just love the way Dauvit Alexander uses his materials. While the selection of a "corroded iron cap from an oil-tank" and a "polycarbonate reflector material from a crashed car" are unorthodox choice of materials, they are…"
Sunday

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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