Leisa Rich's Page

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Leisa Rich posted photos
yesterday
Leisa Rich commented on Brigitte Martin's group Crafthaus Project Grant 2014
"I'll keep you posted! Thanks, Crafthaus for this great grant opportunity! "
yesterday
Leisa Rich posted photos
Wednesday
Leisa Rich posted a status
"Thank you to Crafthaus for providing the opportunity to apply for the micro project grant. I am so excited to have won for Invisible:VisAble"
Wednesday
Leisa Rich commented on Brigitte Martin's blog post The Wondrous World of Nelly Saunier: Gaultier’s Plumassière Extraordinaire
"These are so very fabulous! "
Wednesday
Leisa Rich liked Brigitte Martin's group Crafthaus Project Grant 2014
Oct 18
Leisa Rich joined Brigitte Martin's group
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Crafthaus Project Grant 2014

Every Fall, crafthaus awards a micro project grant to a crafthaus member regardless of location, professional background, or craft field. The grant is unrestricted and intended to provide assistance for a personal or group project.All projects will be published anonymously, without revealing any personal information about the submitting party.The crafthaus membership and the general public review all proposed projects and vote for the one they wish to see supported. One vote per person.Voting…See More
Oct 18
Lyndsey Fryman commented on Leisa Rich's blog post Seeking an artist for an exhibition on Invisible Disabilities in Atlanta "Invisible: VisAble" curated by Leisa Rich
"I am interested in this exhibition, I make art about my relationship with my child who has autism. I'd like to know more about this show and if my work would fit the theme and requirements. Thanks"
Oct 9
Leisa Rich left a comment for M. Veronica Silva
"Thanks for connecting! "
Oct 9
Leisa Rich is now friends with M. Veronica Silva and Lyndsey Fryman
Oct 9
Lyndsey Fryman liked Leisa Rich's blog post Seeking an artist for an exhibition on Invisible Disabilities in Atlanta "Invisible: VisAble" curated by Leisa Rich
Oct 9
Leisa Rich posted a status
"I hope you will vote for my Crafthaus project on artists living with invisible disabilities!"
Oct 8
Leisa Rich shared their blog post on Twitter
Sep 26
Leisa Rich posted a blog post

Seeking an artist for an exhibition on Invisible Disabilities in Atlanta "Invisible: VisAble" curated by Leisa Rich

I am the curator of a wonderful exhibition on "hidden" or Invisible Disabilities, to be held in Atlanta, Georgia in April 2015, at Mason Murer Gallery. It is sponsored by VSA, the arts for disabilities in Atlanta. Artists so far are from Canada, the U.S. and South Africa. This is going to be an amazing opportunity for artists to showcase work about physical and mental challenges they face, and that most people do not think about!Specifications:1) The art work MUST in some way be visually…See More
Sep 26
Jessica Armstrong and Leisa Rich are now friends
May 1
Leisa Rich shared Brigitte Martin's blog post on Facebook
Mar 18

Profile Information

Where do you live ? City, State and Country
Atlanta, Georgia U.S.A.
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Studio and Schools
I am a .... Example: Student, Maker, Educator, etc.
Maker and Educator
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://www.monaleisa.com

Bio, Artist Statement, Short Resume

 

Personal Information

 

Leisa Rich is a sculptor and artist who employs 3D printing, fiber, surface design, hand and machine stitching, obtainium and a variety of other unusual techniques and materials in her 2D and 3D constructions and Installations. She is an art educator with 39 years experience teaching all levels, and ages 3 year olds through university in Fibers, Painting/Drawing, Sculpture, Master/Artist Book Making, Basic Printmaking, Clay, Resin/Moulds, Sewing, Encaustic and more. She holds Master of Fine Arts, Bachelor of Fine Arts and Bachelor of Education in Art degrees. Leisa teaches in-studio classes and workshops, and at arts centers. Her previous experience includes designer for an international fashion house, projects for television and theatre, a successful wearable art business, Director of an art school and much more.

 

Artist Statement

 

Leisa Rich draws from fine art, fiber art and fine craft techniques to form her dimensional 2D, sculptural and installation works. She uses 3D printing and free-motion machine embroidery, a method of drawing and building texture using a sewing machine and thread, and hand embroidery, sewing, dyeing, resin, painting and more in pieces that explore the artificial -- materials manufactured and processed by humans -- to construct a pseudo-reality that is based on the unprocessed organic world and therefore, addresses our on-going manipulation of it.

 

Honors/Awards

 

Leisa exhibits in international and national, curated, juried and solo exhibitions. She was previously on the Board of Directors and Planning Committee for the non-profit arts center South East Fiber Arts Alliance, previous State Representative for the Surface Design Association-Georgia, is a member of arts organizations, has won several prestigious awards such as bestowments from The Barbara L. Kuhlman Foundation, the Distinguished Juror Award from The University of Texas, Surface Design Association Awards and more. Leisa was recently featured in the books, Mastering the Art of Embroidery, Noplaceness: Art in the Post-Urban Landscape; The Studio Quilt, No.6: State of the Art; Modern Sculpture; Hand to Hand: 195 Artists Witness the Iraq WarThe Best of America Sculpture Artists and Artisans, Volume 1 and Quilt National 2009 Lark Books, filmed by PBS for the series, “inCONTEXT” and featured in Artists to Watch in FiberArts magazine and more.

Her work is in the Dallas Museum of Art, in public collections of The University of North Texas and The University of Texas, in The Kamm Foundation collection and in private collections in the U.S., Canada and Europe.

 

EDUCATION

 

2007      Master of Fine Arts in Fibers, The University of North Texas, Denton, Texas

1993      Bachelor of Education in Art, University of Western Ontario, London, Canada

1982      Bachelor of Fine Art in Fibers, University of Michigan, Ann Arbor, Michigan

 

SELECTED SOLO/ TWO PERSON EXHIBITIONS

2012   Two person, Connecting the Dots, Spruill Gallery, Atlanta, Georgia

2010   Solo, Inconsistencies: Stitching Past to Present, Fine Arts Blount Space, Maryville, Tennessee

2009   Solo, Beauty From the Beast, Callanwolde Fine Arts Center Gallery, Atlanta, Georgia

2005   Two person, beyond COLOR, The University of North Texas Union Gallery, Denton, Texas           

2001   Solo, Under the Surface- Recent Works by Leisa Rich, Focus Gallery, Irving Arts Center, Irving, Texas        

 

SELECTED GROUP/INVITATIONAL EXHIBITIONS

2014      Flight Path, Hartsfield Jackson ATL Airport, through April 2015

              World of Threads International, various locations, Toronto, Ontario, Canada

              (In)Organic, Racine Racine Art Museum, Racine, Wisconsin

              New Fibers, Eastern Michigan University, Ypsilanti, Michigan

              Materials: Hard & Soft, Greater Denton Arts Council, Denton, Texas

              Triage, Fuse Art Center, Atlanta, GA

              Fiber Options, Maryland Federation of Art, Annapolis, Maryland

2013      Object Object!, Helmuth Projects, San Diego, California

              UrbanFronts, AIA, installation with Sixfold Collective, Atlanta, Georgia

              Connecting Threads, LAX, Los Angeles, California

              National Fiber Directions 2013, Wichita Center for the Arts, Wichita, Kansas

              Fantastic Fibers 2013, Yeiser Art Center, Paducah, Kentucky

              The Motherload Project, curator Lesli Robertson and Natalie Macellaio, Prescott College Art

              Gallery, Prescott, Arizona and on-line http://www.themotherload.org/

              Teapots! 7th Invitational, Morgan Contemporary Glass Gallery, Pittsburgh, PA

              Georgia Artists, Museum of Contemporary Art, Atlanta, georgia

2012      Process and Practice, Beep Beep Gallery, Atlanta, Georgia 

             Fibers, madison Morgan Cultural Center Gallery, Madison, Georgia

2011      Volusia Wrapped in Fiber, Gateway Center for the Arts, DeBary, Florida

             Little Things Mean A Lot, Swan Coach House Gallery, Atlanta, Georgia

             Collective Thread, The University of central Missouri, Warrensburg, Missouri

2010      Fiberart International, Pittsburgh Center for the Arts, Pittsburgh,   Pennsylvania

             The Sculpted Wall, The Terminus Gallery, Atlanta, Georgia

2009      National Fiber Directions Exhibition 2009, Wichita Center for the Arts, Wichita, Kansas

             Quilt National 2009, The Dairy Barn, Athens, Ohio

             Spotlight 2009, American Craft Council Exhibition, Kennesaw, Georgia  

2008      AAC Annual National Juried Exhibition, AAC Gallery, Atlanta, Georgia

             Led By Thread, Target Gallery- Torpedo Factory Art Center, Alexandria, Virginia

              Mining the Surface: New Sensibilities in Art Textiles, Swan Coach House Gallery, Atlanta, GA

 

SELECTED FEATURES- T.V, RADIO, INTERNET

 

2006/07   PBS, In Context, Featured Artist, Televised Interview

2005       Out of Site, www.gillensarmy.com/outofsite

2002       Alliance for American Quilts Association, Quilters S.O.S. Save Our Stories, Oral history

               Interview, www.centerforthequilt.org/qso

 

SELECTED PUBLICATIONS AND REVIEWS

 

2012:     Noplaceness: Art in a Post-Urban Landscape 

             The Studio Quilt, No.6: State of the Art  

             Modern Sculpture

2010:     Hand to Hand: 195 Artists Witness the Iraq War, Cecelia Kane, Blurb                        Publishing, p. 281 & 327

             Unique Fiber Arthttp://artofday.com/wordpress/?tag=leisa-rich

             Sweet Station Leisa Rich http://sweet-station.com/blog/2010/06/leisa-rich/

             Threads of Reconnection  http://artslammagazine.com/?p=6994

2009:     Quilt National 2009, Lark Books, p.49

             Artist Leisa Rich Gets to the Root of the Problem, Cinque Hicks

              http://clatl.com/atlanta/artist-leisa-rich-gets-to-the-root-of-the-problem/Content?oid=1281230

2008:     Best of America Sculpture Artists and Artisans, Volume 1, Kennedy Publishing, p.85

             Visual Arts review, Atlanta Journal Constitution, August 28, 2008, section H10

 

AWARDS

 

2008      Second Place Award, Atlanta Artist Center National Juried Exhibition, Atlanta, Georgia

2007      Distinguished Jury Award, Earth Matters,The University of Texas-Pan American, Edinburg, Texas            

              Juror’s Award, Materials: Hard and Soft Exhibition, The Meadows Gallery-The Center for the

              Visual Arts, Denton, Texas

 

COLLECTIONS

 

The University of North Texas; The University of Texas- Pan American; private collections. List available upon request.

             

TEACHING EXPERIENCE

 

Present     Self-Employed Art Educator

                 Travel-to-teach art educator

2008-13    GASP- Teacher (Art), The Galloway School, Atlanta, Georgia                      Teacher (Art), Callanwolde Fine Arts Center, Atlanta, Georgia

2007-09    Teaching Artist, The High Museum, Atlanta, Georgia

2005          Teaching Assistant in Fibers, The University of North Texas School of Visual Art, Denton, TX.

                  Teaching Assistant- Design 1,The University of North Texas School of Visual Art, Denton, TX.

2002-04     Director/Teacher, Art & Beyond School of Art for Children and Adults, Coppell, Texas

 

PROFESSIONAL AFFILIATIONS

American Craft Council

Surface Design Association- State Rep (Georgia) 2008-2010

Sixfold Collective

South East Fiber Art Alliance- Board of Directors

Sculpture

 

 

Comment Wall (81 comments)

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At 1:28pm on February 25, 2014, Glen Guarino said…

Please look at our call for our next online Crafthaus show, A Midsummer Day's Dream.

Please take a look at the call & we hope you will consider emailing a submission

http://crafthaus.ning.com/group/crafthausexhibition/forum/topics/a-midsummer-day-s-dream

 

Best Regards,

Glen & Marie

At 12:35pm on February 16, 2014, L. Sue Szabo said…

thanks lisa- love your work.  you have a fantastic color sense.

At 1:31pm on September 26, 2013, Geryn Roche said…

Nice to meet you!  Glad you like my work and I am totally digging yours too!  I see you are a UNT graduate as well, awesome!

At 8:55am on September 16, 2013, Kimberly Nogueira said…

sorry for the misspelling-- i mean Leisa!

At 8:54am on September 16, 2013, Kimberly Nogueira said…

it's so nice to meet you Lisa, your work is incredible!

At 8:25pm on July 24, 2013, Alisha Low said…

Thank you!

If you know anyone around the New England area who might be interested in coming please feel free to share the event :]

At 12:04pm on April 19, 2013, Ryder Richards said…

Lisa, thanks for the invitation, sorry for the delayed response. 

At 6:28pm on November 8, 2012, Teresa Perry said…

Hi Lisa! Thanks for the invite to connect and your kind words about my work! Your installations are so colorful and just amazing.

At 12:30pm on November 6, 2012, nisa blackmon said…

Believe me, I do already!  (mix fibers in with my work)  Hoping to work this summer on a series of figurative hybrid doll-forms -- traditional textile materials mostly, with found and fabricated objects glommed on.

At 4:55pm on November 5, 2012, nisa blackmon said…

Hi, Lisa,

I love your work too (and envy your productivity!!!)!  Those embroidered birds are freaking amazing.  In my next life, I'm going to be a fiber artist!

Thanks for the friend request, ;]

nisa 

Leisa Rich's Blog

Seeking an artist for an exhibition on Invisible Disabilities in Atlanta "Invisible: VisAble" curated by Leisa Rich

Posted on September 26, 2014 at 2:47pm 1 Comment

I am the curator of a wonderful exhibition on "hidden" or Invisible Disabilities, to be held in Atlanta, Georgia in April 2015, at Mason Murer Gallery. It is sponsored by VSA, the arts for disabilities in Atlanta. Artists so far are from Canada, the U.S. and South Africa. This is going to be an amazing opportunity for artists to showcase work about physical and mental challenges they face, and that most people do not think about!

Specifications:

1) The art work MUST in some way…

Continue

Artistic Genealogy: Charting Your Creative Journey

Posted on September 9, 2012 at 11:18am 0 Comments

http://www.pittsburghsocietyofartists.org/psa-artisticgenealogy.html

Where does your unique voice come from? How does your artwork connect with your viewers? Could your past hold half-buried clues for a richer creative future?

Join nationally known Atlanta artist Leisa Rich for a transformational workshop -- Artistic Genealogy: Charting Your Creative Journey, co-sponsored…

Continue
 
 
 

2014 Crafthaus Project Grant Recipient

Crafthaus is pleased to announce that Leisa Rich's project "Invisible:VisAble" garnered 968 votes of 2,575 total votes cast (37.59%) and is the 2014 Crafthaus Project Grant Winner.

Starting in November, we all look forward to following Leisa's crafthaus blog about her project.

Thank you to everyone who voted. Much success for all projects!

View all voting results.

Latest Activity

Ligia Rocha joined Jivan Astfalck's group
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Instill - Material Matters 2014

  INSTILL-material matters “The year’s end is neither an end nor a beginning, but a going on, with all the wisdom that experience can instill in us.”  Hal Borland The School of Jewellery at Birmingham City University presents the thesis work by students of the MA in Jewellery, Silversmithing and Related Products course. The show celebrates the achievements of a group of exceptionally diverse individuals, with each piece on display offering an unexpected adventure through material that…See More
1 hour ago
Ligia Rocha joined Lorena Angulo's group
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Behind the Brooch part 2

I am happy to share with all of you more images of wonderful brooches from artists around the word. I had so many submissions on my first call that I had to create a second part exhibition. This exhibition focuses on a side of the brooch we usually do not pay much attention to: the back side. Our first look is naturally always trained at the front, but when we do take the time to look at the back of a brooch, it will oftentimes reveal a surprising aspect for us, a delightful little secret. With…See More
1 hour ago
Profile IconLigia Rocha, Curtis H Arima and 4 other members joined Mark Fenn - Studiofenn's group
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Tales From the Tool Box - Chapter One

Thank you for viewing this on-line exhibitionThis exhibition is a showcase for narrative work, with over 234 images it was decided that the exhibition would be in two parts with chapter two being on-line in January 2015I would like to personally thank all the makers who took the time to submit work for this on-line exhibition. Image left: Dauvit AlexanderTitle - "Blood Will Have Blood: A Macbeth Brooch" Image Credit: Photography by Andrew Neilson, Neilson Photography. See More
1 hour ago
Rene Lee Henry commented on Brigitte Martin's group Crafthaus Project Grant 2014
"Congratulations! "
17 hours ago
Brigitte Martin posted a blog post

Ayasha Wood - Embroidery

Ayasha Wood is a UK based surface designer, specializing in embellishment for fashion.With an eye for color and composition, she utilizes a mixture of…See More
19 hours ago
Susan Lee Stephen shared Brigitte Martin's blog post on Facebook
21 hours ago
Susan Lee Stephen liked Brigitte Martin's blog post The Frog Museum
21 hours ago
Susan Lee Stephen shared Brigitte Martin's blog post on Facebook
21 hours ago
Susan Lee Stephen liked Brigitte Martin's blog post The Wondrous World of Nelly Saunier: Gaultier’s Plumassière Extraordinaire
21 hours ago
L. Sue Szabo commented on L. Sue Szabo's photo
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On the Boardwalk

"thanks stacy- that;s so nice of you to say!"
21 hours ago
Stacy Haviland commented on L. Sue Szabo's photo
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On the Boardwalk

"This piece is so beautiful. I look at it often."
23 hours ago
Stacy Haviland posted a status
"This group of artists are so inspiring! I was "swayed" by the beauty and personal messages of all the work"
23 hours ago

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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