Leisa Rich
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Leisa Rich replied to Brigitte Martin's discussion (3) About Laura: Background and start-up cost - Laura's viewpoint in the group Crafthaus goes to ... ACC Baltimore 2016
"You are SO welcome Hang in there. I did it almost every weekend, and I had a small child! Often, she came with, along with my husband and sometimes my parents, so they took her out and had fun while I worked. I missed out on a lot of time with…"
Mar 17
Leisa Rich replied to Brigitte Martin's discussion (3) About Laura: Background and start-up cost - Laura's viewpoint in the group Crafthaus goes to ... ACC Baltimore 2016
"Wonderful to hear the honest reality of the craft show booth business. I did 27 craft shows a year for years in Canada, and rarely did more then break even. Then, the one year things were flying out of my booth, someone complained at a big and…"
Mar 17
Leisa Rich joined Brigitte Martin's group
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Crafthaus goes to ... ACC Baltimore 2016

Brigitte Martin (crafthaus editor) will spend time at the 2016 ACC Show in Baltimore. She will report back from three distinct viewpoints.Sign up for this group to join the trip, ask questions, be a part of it!See More
Mar 17
Cami Ruh Clemo liked Leisa Rich's photo
Feb 1
Cami Ruh Clemo liked Leisa Rich's photo
Feb 1
Cami Ruh Clemo liked Leisa Rich's photo
Feb 1
Cami Ruh Clemo liked Leisa Rich's photo
Feb 1
Brianna Diaz commented on Leisa Rich's photo
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Plant necklace

"Love it!"
Jan 26
Leisa Rich posted photos
Jan 21
Leisa Rich commented on Brigitte Martin's blog post 6 Photographers 6 Portraits
"That was really lovely. I almost didn't watch it, thinking "6 Photographers 6 Portraits" not being that interesting to ME...and the key here now that I have watched it, is the ME I was focussing on. I was already judging how I would…"
Nov 8, 2015
Leisa Rich added a discussion to the group Invisible:VisAble Exhibition
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Invisible:visAble is up and is an amazing exhibition!!!!

Two years ago I was standing in a grocery store line. It was my turn to check out and the cashier said something to me that I didn’t hear, so I politely replied, Pardon? and she responded,“WHAT ARE ‘YA….DEAF OR SOMETHIN’?”Surrounded  (detail from the installation- whispers to you from under the ear...Never Mind, What are…See More
Nov 5, 2015
Jennifer Dewey joined Leisa Rich's group
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Invisible:VisAble Exhibition

Art can be a way to heal. Many artists privately face invisible medical and mental illness challenges that others are unaware of because they look, and act, absolutely normal. Some artists creatively tap into these challenges and give voice to them through a variety of mediums and styles. Invisible:VisAble, curated by artist Leisa Rich, is an art exhibition that features several artists whose art works are informed by their challenges. It is to be held in Atlanta October 30-November 27, 2015 at…See More
Sep 22, 2015
Inna Dzhanibekova liked Leisa Rich's discussion Coming up soon! Topic: Professionalism
Sep 12, 2015
Leisa Rich commented on Brigitte Martin's blog post Freddie Robins - Knitter
"WOW! I was unfamiliar with your work before and I absolutely am enamored of it now!!!! FABULOUS!"
Sep 8, 2015
Leisa Rich commented on Brigitte Martin's blog post Jon Eric Riis - Tapestry
"Goooo, Jon! A worthy talent! So nice to exhibit with you recently. I had never seen one of your works in person and they are absolutely meticulous. Congratulations on all of your success!"
Sep 8, 2015
Harriete Estel Berman replied to Leisa Rich's discussion Coming up soon! Topic: Professionalism in the group Invisible:VisAble Exhibition
"As Brigitte mentioned I have a lot of information on my website and ASK Harriete about shipping in addition to the program sponsored by the Professional Development SEminar about shipping sponsored at a past SNAG Conference. I will provide links…"
Sep 8, 2015

Profile Information

Where do you live ? City, State and Country
Atlanta, Georgia U.S.A.
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Studio and Schools
I am a .... Example: Student, Maker, Educator, etc.
Maker and Educator
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://www.monaleisa.com

Bio, Artist Statement, Short Resume

 

Personal Information

 

Leisa Rich is a sculptor and artist who employs 3D printing, fiber, surface design, hand and machine stitching, obtainium and a variety of other unusual techniques and materials in her 2D and 3D constructions and Installations. She is an art educator with 39 years experience teaching all levels, and ages 3 year olds through university in Fibers, Painting/Drawing, Sculpture, Master/Artist Book Making, Basic Printmaking, Clay, Resin/Moulds, Sewing, Encaustic and more. She holds Master of Fine Arts, Bachelor of Fine Arts and Bachelor of Education in Art degrees. Leisa teaches in-studio classes and workshops, and at arts centers. Her previous experience includes designer for an international fashion house, projects for television and theatre, a successful wearable art business, Director of an art school and much more.

 

Artist Statement

 

Leisa Rich draws from fine art, fiber art and fine craft techniques to form her dimensional 2D, sculptural and installation works. She uses 3D printing and free-motion machine embroidery, a method of drawing and building texture using a sewing machine and thread, and hand embroidery, sewing, dyeing, resin, painting and more in pieces that explore the artificial -- materials manufactured and processed by humans -- to construct a pseudo-reality that is based on the unprocessed organic world and therefore, addresses our on-going manipulation of it.

 

Honors/Awards

 

Leisa exhibits in international and national, curated, juried and solo exhibitions. She was previously on the Board of Directors and Planning Committee for the non-profit arts center South East Fiber Arts Alliance, previous State Representative for the Surface Design Association-Georgia, is a member of arts organizations, has won several prestigious awards such as bestowments from The Barbara L. Kuhlman Foundation, the Distinguished Juror Award from The University of Texas, Surface Design Association Awards and more. Leisa was recently featured in the books, Mastering the Art of Embroidery, Noplaceness: Art in the Post-Urban Landscape; The Studio Quilt, No.6: State of the Art; Modern Sculpture; Hand to Hand: 195 Artists Witness the Iraq WarThe Best of America Sculpture Artists and Artisans, Volume 1 and Quilt National 2009 Lark Books, filmed by PBS for the series, “inCONTEXT” and featured in Artists to Watch in FiberArts magazine and more.

Her work is in the Dallas Museum of Art, in public collections of The University of North Texas and The University of Texas, in The Kamm Foundation collection and in private collections in the U.S., Canada and Europe.

 

EDUCATION

 

2007      Master of Fine Arts in Fibers, The University of North Texas, Denton, Texas

1993      Bachelor of Education in Art, University of Western Ontario, London, Canada

1982      Bachelor of Fine Art in Fibers, University of Michigan, Ann Arbor, Michigan

 

SELECTED SOLO/ TWO PERSON EXHIBITIONS

2012   Two person, Connecting the Dots, Spruill Gallery, Atlanta, Georgia

2010   Solo, Inconsistencies: Stitching Past to Present, Fine Arts Blount Space, Maryville, Tennessee

2009   Solo, Beauty From the Beast, Callanwolde Fine Arts Center Gallery, Atlanta, Georgia

2005   Two person, beyond COLOR, The University of North Texas Union Gallery, Denton, Texas           

2001   Solo, Under the Surface- Recent Works by Leisa Rich, Focus Gallery, Irving Arts Center, Irving, Texas        

 

SELECTED GROUP/INVITATIONAL EXHIBITIONS

2014      Flight Path, Hartsfield Jackson ATL Airport, through April 2015

              World of Threads International, various locations, Toronto, Ontario, Canada

              (In)Organic, Racine Racine Art Museum, Racine, Wisconsin

              New Fibers, Eastern Michigan University, Ypsilanti, Michigan

              Materials: Hard & Soft, Greater Denton Arts Council, Denton, Texas

              Triage, Fuse Art Center, Atlanta, GA

              Fiber Options, Maryland Federation of Art, Annapolis, Maryland

2013      Object Object!, Helmuth Projects, San Diego, California

              UrbanFronts, AIA, installation with Sixfold Collective, Atlanta, Georgia

              Connecting Threads, LAX, Los Angeles, California

              National Fiber Directions 2013, Wichita Center for the Arts, Wichita, Kansas

              Fantastic Fibers 2013, Yeiser Art Center, Paducah, Kentucky

              The Motherload Project, curator Lesli Robertson and Natalie Macellaio, Prescott College Art

              Gallery, Prescott, Arizona and on-line http://www.themotherload.org/

              Teapots! 7th Invitational, Morgan Contemporary Glass Gallery, Pittsburgh, PA

              Georgia Artists, Museum of Contemporary Art, Atlanta, georgia

2012      Process and Practice, Beep Beep Gallery, Atlanta, Georgia 

             Fibers, madison Morgan Cultural Center Gallery, Madison, Georgia

2011      Volusia Wrapped in Fiber, Gateway Center for the Arts, DeBary, Florida

             Little Things Mean A Lot, Swan Coach House Gallery, Atlanta, Georgia

             Collective Thread, The University of central Missouri, Warrensburg, Missouri

2010      Fiberart International, Pittsburgh Center for the Arts, Pittsburgh,   Pennsylvania

             The Sculpted Wall, The Terminus Gallery, Atlanta, Georgia

2009      National Fiber Directions Exhibition 2009, Wichita Center for the Arts, Wichita, Kansas

             Quilt National 2009, The Dairy Barn, Athens, Ohio

             Spotlight 2009, American Craft Council Exhibition, Kennesaw, Georgia  

2008      AAC Annual National Juried Exhibition, AAC Gallery, Atlanta, Georgia

             Led By Thread, Target Gallery- Torpedo Factory Art Center, Alexandria, Virginia

              Mining the Surface: New Sensibilities in Art Textiles, Swan Coach House Gallery, Atlanta, GA

 

SELECTED FEATURES- T.V, RADIO, INTERNET

 

2006/07   PBS, In Context, Featured Artist, Televised Interview

2005       Out of Site, www.gillensarmy.com/outofsite

2002       Alliance for American Quilts Association, Quilters S.O.S. Save Our Stories, Oral history

               Interview, www.centerforthequilt.org/qso

 

SELECTED PUBLICATIONS AND REVIEWS

 

2012:     Noplaceness: Art in a Post-Urban Landscape 

             The Studio Quilt, No.6: State of the Art  

             Modern Sculpture

2010:     Hand to Hand: 195 Artists Witness the Iraq War, Cecelia Kane, Blurb                        Publishing, p. 281 & 327

             Unique Fiber Arthttp://artofday.com/wordpress/?tag=leisa-rich

             Sweet Station Leisa Rich http://sweet-station.com/blog/2010/06/leisa-rich/

             Threads of Reconnection  http://artslammagazine.com/?p=6994

2009:     Quilt National 2009, Lark Books, p.49

             Artist Leisa Rich Gets to the Root of the Problem, Cinque Hicks

              http://clatl.com/atlanta/artist-leisa-rich-gets-to-the-root-of-the-problem/Content?oid=1281230

2008:     Best of America Sculpture Artists and Artisans, Volume 1, Kennedy Publishing, p.85

             Visual Arts review, Atlanta Journal Constitution, August 28, 2008, section H10

 

AWARDS

 

2008      Second Place Award, Atlanta Artist Center National Juried Exhibition, Atlanta, Georgia

2007      Distinguished Jury Award, Earth Matters,The University of Texas-Pan American, Edinburg, Texas            

              Juror’s Award, Materials: Hard and Soft Exhibition, The Meadows Gallery-The Center for the

              Visual Arts, Denton, Texas

 

COLLECTIONS

 

The University of North Texas; The University of Texas- Pan American; private collections. List available upon request.

             

TEACHING EXPERIENCE

 

Present     Self-Employed Art Educator

                 Travel-to-teach art educator

2008-13    GASP- Teacher (Art), The Galloway School, Atlanta, Georgia                      Teacher (Art), Callanwolde Fine Arts Center, Atlanta, Georgia

2007-09    Teaching Artist, The High Museum, Atlanta, Georgia

2005          Teaching Assistant in Fibers, The University of North Texas School of Visual Art, Denton, TX.

                  Teaching Assistant- Design 1,The University of North Texas School of Visual Art, Denton, TX.

2002-04     Director/Teacher, Art & Beyond School of Art for Children and Adults, Coppell, Texas

 

PROFESSIONAL AFFILIATIONS

American Craft Council

Surface Design Association- State Rep (Georgia) 2008-2010

Sixfold Collective

South East Fiber Art Alliance- Board of Directors

Sculpture

 

 

Comment Wall (67 comments)

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At 3:29pm on August 10, 2015, Shana Kohnstamm said…

Thanks for the warm welcome, Leisa! I'm still figuring out all the bells & whistles.

At 9:58pm on November 16, 2014, Leah Hardy said…

Leisa,  Thanks for connecting.  No, the ear is not medical. . .this piece is about (and for) my son, Ky.  It is specifically about how I have been able to experience the world through him:  his interest in magnifying glasses to inspect small things, for instance.  The vine growing out of the ear (which was literally sculpted while I observed his ear) references the story that children are told when they swallow a melon seed--that it will grow inside of them, and possibly out their ears.  Hope that clarifies! Leah

At 11:35am on February 16, 2014, L. Sue Szabo said…

thanks lisa- love your work.  you have a fantastic color sense.

At 12:31pm on September 26, 2013, Geryn Roche said…

Nice to meet you!  Glad you like my work and I am totally digging yours too!  I see you are a UNT graduate as well, awesome!

At 7:55am on September 16, 2013, Kimberly Nogueira said…

sorry for the misspelling-- i mean Leisa!

At 7:54am on September 16, 2013, Kimberly Nogueira said…

it's so nice to meet you Lisa, your work is incredible!

At 11:04am on April 19, 2013, Ryder Richards said…

Lisa, thanks for the invitation, sorry for the delayed response. 

At 5:28pm on November 8, 2012, Teresa Perry said…

Hi Lisa! Thanks for the invite to connect and your kind words about my work! Your installations are so colorful and just amazing.

At 11:30am on November 6, 2012, nisa blackmon said…

Believe me, I do already!  (mix fibers in with my work)  Hoping to work this summer on a series of figurative hybrid doll-forms -- traditional textile materials mostly, with found and fabricated objects glommed on.

At 3:55pm on November 5, 2012, nisa blackmon said…

Hi, Lisa,

I love your work too (and envy your productivity!!!)!  Those embroidered birds are freaking amazing.  In my next life, I'm going to be a fiber artist!

Thanks for the friend request, ;]

nisa 

Leisa Rich's Blog

Arts with Invisible Disabilities- Challenge Informs Creativity in Invisible:VisAble Exhibition

Posted on March 31, 2015 at 6:37am 0 Comments

I am seeking some really great, positive artists whose art is informed by an "invisible" challenge. Are you an artist doing work conceptually inspired by epilepsy? Depression? Bipolar? Deafness? or? Do you know an artist who you might recommend?

The idea for this exhibition happened when my deafness -- the most challenging of my medical issues and something I pretended didn’t exist for most of my life -- began insinuating itself into my creative fiber art practice. I…

Continue

Seeking an artist for an exhibition on Invisible Disabilities in Atlanta "Invisible: VisAble" curated by Leisa Rich

Posted on September 26, 2014 at 1:47pm 1 Comment

I am the curator of a wonderful exhibition on "hidden" or Invisible Disabilities, to be held in Atlanta, Georgia in April 2015, at Mason Murer Gallery. It is sponsored by VSA, the arts for disabilities in Atlanta. Artists so far are from Canada, the U.S. and South Africa. This is going to be an amazing opportunity for artists to showcase work about physical and mental challenges they face, and that most people do not think about!

Specifications:

1) The art work MUST in some way…

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Artistic Genealogy: Charting Your Creative Journey

Posted on September 9, 2012 at 10:18am 0 Comments

http://www.pittsburghsocietyofartists.org/psa-artisticgenealogy.html

Where does your unique voice come from? How does your artwork connect with your viewers? Could your past hold half-buried clues for a richer creative future?

Join nationally known Atlanta artist Leisa Rich for a transformational workshop -- Artistic Genealogy: Charting Your Creative Journey, co-sponsored…

Continue
 
 
 

Latest Activity

Harriete Estel Berman commented on Brigitte Martin's blog post The End Matters: Estate Planning for Visual Artists and Collectors
"Nancy Worden has good deal of experience with artist's estates  has she managed the estate of Ken Cory. There is a book title  Artist's Estates: Reputations in Trust. Edited by Magda Salvesen, and Diane Cousineau. The book is…"
3 hours ago
Harriete Estel Berman commented on Brigitte Martin's blog post Stuff it: Millennials nix their parents’ treasures (Washington Post)
"Very interesting articles and at the same time, a very sad story. It all just fits right into the fact that there is a dwindling market for new or seasoned craft, even craft that had a previously established value.  "
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Brigitte Martin commented on Brigitte Martin's blog post Stuff it: Millennials nix their parents’ treasures (Washington Post)
"Great comment by the 2Roses! Thanks, guys. Fellow deep sighers, it seems more people in the field are currently looking into these questions. Here is an interesting post by Leslie Ferrin which I saw on Critical Craft Forum on May 19: WHAT HAPPENS…"
Thursday
2Roses commented on Brigitte Martin's blog post Stuff it: Millennials nix their parents’ treasures (Washington Post)
"Our work over the years has brought us into direct contact with a few of the perspectives on this issue.  Collectors and elderly people who are approaching the final stages of life often become concerned about what happens to the collection…"
Thursday
Roxy Lentz commented on Brigitte Martin's blog post Stuff it: Millennials nix their parents’ treasures (Washington Post)
"I am in the boomer generation, and when I was starting out life on my own, I didn't want what my parents had, or anyone else's parents, so it is reasonable that the new generation doesn't either. The boomer generation seems to be the…"
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Masthead Credits

Leah Hardy, Laramie, Wyoming

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Mixed media sculpture based on my son Ky's childhood.
Copper, earthenware, encaustic, mica, teeth, resin, patina.
10.5" x 14" x 8"

2008-09

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