Renee Zettle-Sterling
  • Coopersville, MI
  • United States
Share on Facebook Share Twitter

Renee Zettle-Sterling's Friends

  • Carmen Smith
  • Meredith S. Tibjash
  • Erin Knisley
  • Lindsay Fisher
  • andrea kennington
  • Jessica Todd
  • Stephanie Voegele
  • Adam Kenney
  • Jen Townsend
  • Alanna DeRocchi
  • Leisa Rich
  • Michael Logan Woodle
  • Jessica Armstrong
  • alexandra hopp
  • Tina Lazzarine
 

Renee Zettle-Sterling's Page

Latest Activity

Renee Zettle-Sterling is now friends with Carmen Smith and Stephanie Voegele
Apr 24
Renee Zettle-Sterling is now friends with Dan Graur and Meredith S. Tibjash
Mar 22
Alisha Low liked Renee Zettle-Sterling's photo
Mar 22
Alisha Low liked Renee Zettle-Sterling's photo
Mar 22
Alisha Low liked Renee Zettle-Sterling's photo
Mar 22
Brigitte Martin liked Renee Zettle-Sterling's photo
Jan 23
Renee Zettle-Sterling left a comment for Leisa Rich
"Hi Leisa, Thank you so much!  I am such a fan of your work too.  I absolutely love your installation work-the scale, form, and meticulous qualities are spectacular. And, wow, are you prolific! I would love to be involved in the exhibition…"
Jul 12, 2012
Renee Zettle-Sterling and Leisa Rich are now friends
Jul 12, 2012

Profile Information

Where do you live ? City, State and Country
Coopersville, MI
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Grand Valley State University
I am a .... Example: Student, Maker, Educator, etc.
Associate Professor of Art and Design at Grand Valley State University, Allendale, MI
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http://zettlesterling.com
Describe your media/materials you work with
metal, fabric, found object sculptural wearable forms

Objects of Mourning, 2006-2010

Objects of Mourning
Through this body of work and research I seek to understand how everyday objects assist us in transitioning through the difficult process of grief/mourning. I am interested in how mourning and commemoration is contained within objects and our constructed systems. During the process of mourning, objects can link us to loved ones that have passed or moments in life that are fleeting. This has inspired a strong interest in objects and motifs, which are sadly, no longer used or valued as they once were. These once beautifully decorative and valued objects carry with them the potential to become a source of meaning beyond their physical properties and an outlet for displacement, emptiness, loss, sentimentality, as well as hope and understanding.



Mourning Project
Object of Mourning: Liminality

This work is inspired by my interest in the concentrated and outward mourning practices of the Victorian Era in contrast to the lack of negotiating loss and mourning within contemporary western culture. The mood of the era and the moral values of the Victorian times allowed them to express their sorrow in their outward appearance, especially through their manner of dress. It is distressing, that as a culture, we do not publicly grieve for our dead. An expression of self-identity, family connectedness, a general concern for others, and the constant reminder of the inevitable is lost. Where is the space for the grief in our lives? I find the Victorian sentimentality towards death, and that of other cultures, a moving testament in allowing oneself to express publicly, deeply personal moments.


From June 21st, 2009 to June 21st 2010, I constructed and wore a brooch a day for the duration of a year. The brooches are made from many different materials and objects, but primarily from black and gray fabrics, so familiar to the women of the Victorian era who took on the burden of publicly mourning. This time, set aside every day, to construct a brooch, whether it was a few minutes or an hour, allowed me the space to consider more deeply my relationship with loved ones, who have passed away. It afforded me the opportunity to reflect on the constant, and exhausting work involved in moving through the grieving process. Wearing the brooches, on a daily basis became a signifier and prosthetic. They also served as conduits for memory to reside, as well as a chance to reconsider the void within our inward and outward mourning practice.


Renee Zettle-Sterling's Photos

Loading…
  • Add Photos
  • View All

Comment Wall (29 comments)

You need to be a member of crafthaus to add comments!

Join crafthaus

At 7:29am on March 5, 2013, Brigitte Martin said…

Thank you very much for your membership renewal and support of crafthaus. Your membership is valid through March 15, 2014.
Enjoy crafthaus, participate often!

At 11:53pm on May 1, 2012, Erin Knisley said…

Thank you so much! School is going well and I am glad to be finishing up my second graduate school year here at IUP. :-)

At 7:07pm on March 25, 2012, Julia Harrison said…

hi renee,

thanks for the friend request!  i really enjoyed looking through your gallery.

At 10:35pm on March 22, 2012, Lindsay Fisher said…

haha thanks Renee :) I am happy to be here too! 

At 9:58pm on August 2, 2011, Julie Sanford said…

Great!  I will call you tomorrow.

At 8:22pm on August 1, 2011, Julie Sanford said…

Hi Renee, Sorry I haven't gotten back to you yet.  We have unexpected houseguests.  My nieces came in for the weekend and decided to stay a few more days.  I've been busy keeping them busy ;)   I am so sorry about your cat's illness, I hope things go well (Friday?)  Funny...I was thinking I might drive over to the MSG show and back myself on Saturday.  Maybe carpool?  We could have that coffie on the way.

At 9:04pm on July 26, 2011, Julie Sanford said…

Next week looks good we can meet at the studio (Grand Haven) or somewhere in between.

I am going to try to make the MSG reception. 

At 5:46pm on May 1, 2011, Robert Thomas Mullen said…
Thank you so much!  Your comment was a wonderful surprise.  You made such an impact on me when we talked.  I couldn't have made it to where I am now without that.  Your book looks amazing!  I love the shots of the brooch series.  See you very soon!
At 3:00pm on March 10, 2011, demi thomloudis said…
renee! got ur mail! thanks so much!  I sent some mail for you yesterday,letmeknow when you get it!!!
At 12:04pm on March 7, 2011, alexandra hopp said…

hey it was super-rad having you here! am gonna try my darndest to get to SNAG- just realized i have a wedding to go to on the 28th but am hoping i can make it out for the first day of it or so...might be tight! :P

xo alex

 
 
 

Latest Activity

Louise Perrone joined Rebecca Rose's group
Thumbnail

Showing Publicly and Building a Legacy Privately

For the next 13 months we'll discuss the trials, triumphs, and tribulations of exhibiting  in art shows as emerging artists and established artists. Exhibition coverage will be balanced with tips on how to strategically build a legacy over a length of time, in a way that makes sense to your individual goals as an artist. Join us each month! There will be surprises around every corner, with photos, videos, SNAG conference coverage, and occasional interviews by rising artists!See More
2 hours ago
Ford/Forlano Art Jewelry replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
"John.  I am sorry I did not meet you.  My fault.  I had a massively congested head and was floating around in a bit of a haze from it.  I may have some thoughts on your thoughts if I can gather them.  glad your writing them…"
2 hours ago
Ford/Forlano Art Jewelry shared a profile on Facebook
2 hours ago
John Lunn replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
"I agree 100% Brigitte. It is more work than most attendees will ever know to put together a conference like this and I, too, raise a toast of HEAR HEAR! to all involved. It was a great conference. I hope I will be able to help SNAG with whatever…"
4 hours ago
John Lunn replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
"While, I'm offering some responses and feelings about the conference, it in no way diminishes the overall view that I really enjoyed it and thought it very worthwhile. All of the presentations and exhibits were valuable and help create a…"
4 hours ago
Brigitte Martin posted blog posts
5 hours ago
Kimberly Jackson posted photos
5 hours ago
Brigitte Martin replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
"Regarding whether or not Toronto was a "good conference", I do respectfully disagree with Harriete. This was my 6th conference (Cleveland, Philly, Houston, Seattle, Phoenix, Toronto) and while I liked them all for different reasons, I…"
6 hours ago
Harriete Estel Berman replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
"Just to respond to a few sentences in this particular post:  John said, "At the SNAG conference almost everyone had a college degree in the arts." Actually I think you might be surprised at the number of people at the Conference and…"
7 hours ago
Jennifer Dewey liked John Lunn's group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
8 hours ago
Jennifer Dewey liked John Lunn's discussion SNAG Toronto part 3
8 hours ago
John Lunn replied to John Lunn's discussion SNAG Toronto part 2 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
"I'm with you, Emanuela. But let me respond from the perspective of the people I talked with: the talent lies in who and how you use the technology. I guess time will prove or disprove this. In the meantime, I'm much more content to feel…"
8 hours ago
Brigitte Martin liked John Lunn's discussion SNAG Toronto part 3
8 hours ago
John Lunn added a discussion to the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
Thumbnail

SNAG Toronto part 3

I come from a very different background than most at the conference. I apprenticed with a self taught flutemaker. After 3 years, the only CV I left with was a flute I made that got me hired by a Boston company. I designed my own flute from experience and imagination. To this day my work has always been my only resume.At the SNAG conference almost everyone had a college degree in the arts. Whenever a speaker was introduced, their education highlights were listed along with the schools they were…See More
8 hours ago
Sun Kyoung Kim liked Brigitte Martin's blog post Science meets Craft: Origami Engineering - David Gracias
8 hours ago
Emanuela Aureli replied to John Lunn's discussion SNAG Toronto part 2 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
"i was not able to attend the snag conference in toronto, but discussions about the state of the art/jewelry is nevertheless dear to me and i am following developments on several fronts. the whole issue of technology, like cad, and anything that…"
8 hours ago

New blog ...

Showing Publicly and Building a Legacy Privately

- by Rebecca Rose. 2013, SNAG/crafthaus Scholarship Recipient

For the next 13 months we'll discuss the trials, triumphs, and tribulations of exhibiting  in art shows as emerging artists and established artists. Exhibition coverage will be balanced with tips on how to strategically build a legacy over a length of time, in a way that makes sense to your individual goals as an artist and maker. 

Join us each month! There will be surprises around every corner, with photos, videos, SNAG conference coverage, and occasional interviews by rising artists!

FOLLOW ALONG...leave your comments and questions.

© 2013   Created by Brigitte Martin.

Badges  |  Report an Issue  |  Terms of Service