crafthaus
PARTICIPATORY SPORT FOR CRAFT ARTISTS
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Sally Hayden Gilmore
- United States
Sally Hayden Gilmore's Groups
Sally Hayden Gilmore's Page
Sally Hayden Gilmore's Photos
Profile Information
- Where do you live ? City, State and Country
- Portland Oregon
- Place of Work ? Example: Studio, College, Gallery, Museum, ...)
- Studio
- I am a .... Example: Student, Maker, Educator, etc.
- Bio____________________
I have worked with an array of materials and processes, specializing in sculptural Fiber work and Mixed Media Drawing. Currently I work primarily with cast paper and mixed materials to creating evocative sculptural forms and relief collage drawings. I received my MFA from Herberger Institute of Design and the Arts at Arizona State University. I'm working hard in my studio, I exhibit nationally, and am trying to find my way in NW Oregon hoping to eventually teach and show locally.
Artist Statement_______________________
When admiring the color and structure of floral blooms, consider that they are the sexual reproductive organs of another organism. The sensual pop of color commonly marks a display of sexual courting that occurs throughout the natural world. The colorful bounty of animal sexuality: the bright allure of bird plumage, the fluorescent glow from ocean-trench denizens, even the fiery red of baboons’ rears. It is in these details that I take my inspiration.
This work is made from a desire to know and understand sexuality, not in terms of political correctness or social structures, but as the natural world knows it: a wondrous force too powerful and beautiful to ignore. Through various evocative forms I explore these natural concepts of sexual seduction. The objects become fetishistic because they are a safe representation of our own libido. No shame, only a glorious display of stamens, semen, ovipositors, scrotums, tentacles, pistils, vulva, filaments, cloacae and anthers.
Ultimately, sexuality, whether in the plant or animal world, comes down to touch, exchange and proximity- all of which are significant to my process. I use cast layers of unryu paper with acrylic medium and incorporate variety in color, texture, material, and dimensionality to communicate with my audience. Wrinkled and pocked surfaces are simultaneously sensual and delicate. Round, twisting mouths and seductive hollows invite viewers to explore the inner and outer anatomy of each piece (a dichotomy of sexual intercourse). These forms seduce the viewer to reach out and explore the untouchable surface, creating an electric tension that reflects our own longing and desire.
- Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
- http://www.sallyhaydengilmore.com
- Describe your media/materials you work with
- Sally Gilmore, Sally Hayden Gilmore, fiber, paper, mixed media, sculpture,
Latest Activity
Alisa Letcius might attend Sally Hayden Gilmore's event
INNOVATORS AND LEGENDS: Generation in Textiles and Fibers, Public Opening with Artists at Muskegon Museum of Art
December 13, 2012 to March 17, 2013
Works by top tier, internationally celebrated fiber artists explores the fine art textile movement over the past century through the contemporary artwork of four generations of artists. The rich variety of assembled pieces illustrates the transformation of fibers from functional and decorative use to today’s forms created with a wide array of diverse materials and techniques. The artwork addresses issues such as narrative, identity, ecology, recycling, and political thought, and demonstrates…See More
Sally Hayden Gilmore posted an eventINNOVATORS AND LEGENDS: Generation in Textiles and Fibers, Public Opening with Artists at Muskegon Museum of Art
December 13, 2012 to March 17, 2013
Works by top tier, internationally celebrated fiber artists explores the fine art textile movement over the past century through the contemporary artwork of four generations of artists. The rich variety of assembled pieces illustrates the transformation of fibers from functional and decorative use to today’s forms created with a wide array of diverse materials and techniques. The artwork addresses issues such as narrative, identity, ecology, recycling, and political thought, and demonstrates…See More
Comment Wall (11 comments)
- At 8:23pm on August 24, 2011,
Renee Rouillier said…
Sally, I am a very textural person and your use of texture is very admirable.
- At 10:35am on February 1, 2011,
Brigitte Martin said… - Thank you very much for your membership payment and support of crafthaus. Your membership is good through Feb 15, 2012.
Enjoy crafthaus, participate often :-)
- At 10:41pm on April 23, 2010,
Ellie Richards said… - Sally - thank you so much for the message - I posted pics of the piece I submitted - its called BlockeHaus - I'm so so so excited to travel to Germany this summer! You definitely led by example as a grad and I'll never forget the way I admired your studio practice ... in many ways I have you to thank as I make my way through the program...Hope all is well!
- At 4:40pm on March 16, 2010,
Brenda Factor said… - Hi Sally - thanks and I really like your work too. In fact I found you on the web a couple of weeks ago when I was doing some research into casting (and that led me to crafthaus) and included your name in a list of practitioners for my students. Hope to post some more images soon.
- At 3:14pm on November 8, 2009,
Thea Clark said… - Welcome,
love , love , love them all!
- At 6:34pm on November 6, 2009,
Lauren McAdams Selden said… - Yeah, my favorite artist in the world.
- At 12:40am on November 2, 2009,
Victoria Altepeter said… - congrats sally! lookin good!
- At 8:19pm on November 1, 2009,
Stevie B. said… - Love your creations!
- At 11:39am on November 1, 2009,
Lynette Andreasen said… - woo hoo! Congrats on the feature Sal!
- At 2:48pm on October 29, 2009, Victoria Altepeter said…
- sally! so good to be in touch , i am also so happy to have the chance to see your work again. I absolutely love it!! how is everything going for you out in oregon?
Latest Activity
John Lunn replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft"I think I burned out early. I'm not used to being in a crowd scene that much and snuck away when I needed a break. We'll all meet up again, though, I'm sure!"
Louise Perrone joined Rebecca Rose's group
Showing Publicly and Building a Legacy Privately
For the next 13 months we'll discuss the trials, triumphs, and tribulations of exhibiting in art shows as emerging artists and established artists. Exhibition coverage will be balanced with tips on how to strategically build a legacy over a length of time, in a way that makes sense to your individual goals as an artist. Join us each month! There will be surprises around every corner, with photos, videos, SNAG conference coverage, and occasional interviews by rising artists!See More
Ford/Forlano Art Jewelry replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft"John. I am sorry I did not meet you. My fault. I had a massively congested head and was floating around in a bit of a haze from it. I may have some thoughts on your thoughts if I can gather them. glad your writing them…"
John Lunn replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft"I agree 100% Brigitte. It is more work than most attendees will ever know to put together a conference like this and I, too, raise a toast of HEAR HEAR! to all involved. It was a great conference.
I hope I will be able to help SNAG with whatever…"
John Lunn replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft"While, I'm offering some responses and feelings about the conference, it in no way diminishes the overall view that I really enjoyed it and thought it very worthwhile. All of the presentations and exhibits were valuable and help create a…"
Brigitte Martin replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft"Regarding whether or not Toronto was a "good conference", I do respectfully disagree with Harriete. This was my 6th conference (Cleveland, Philly, Houston, Seattle, Phoenix, Toronto) and while I liked them all for different reasons, I…"
Harriete Estel Berman replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft"Just to respond to a few sentences in this particular post: John said, "At the SNAG conference almost everyone had a college degree in the arts." Actually I think you might be surprised at the number of people at the Conference and…"
New blog ...
Showing Publicly and Building a Legacy Privately
- by Rebecca Rose. 2013, SNAG/crafthaus Scholarship Recipient
For the next 13 months we'll discuss the trials, triumphs, and tribulations of exhibiting in art shows as emerging artists and established artists. Exhibition coverage will be balanced with tips on how to strategically build a legacy over a length of time, in a way that makes sense to your individual goals as an artist and maker.
Join us each month! There will be surprises around every corner, with photos, videos, SNAG conference coverage, and occasional interviews by rising artists!
Videos
© 2013 Created by Brigitte Martin.
