Lyme Regis Harbour


After that last blast of negativity in the previous post, I am back to my more usual, balanced, self!

Over the summer, Dingo and I spent a long time in the West Country, visiting Devon and Dorset and spending one exceptionally wet day in Lyme Regis which was not really a joy for anyone...

Unsurprisingly, we looked for alternatives to the seaside and found a rather remarkable second-hand bookshop where I picked up a copy of Victoria Finlay's "Jewels - A Secret History"


I thought it looked vaguely interesting even though the bold type on the back declaring "find out the thrilling stories behind your favourite jewels" did put me off a little. It is actually brilliant and I recommend it to anyone interested in not just gems and gemmology but in good storytelling. Not only does she go jet-hunting with Kevin Dixon - my own jet-cutter in Whitby - but she travelled the world meeting similarly delightful and eccentric people who are all involved in the business of gemstones in some way and she has a real knack for conveying something of the spirit and voice of these people through her writing. I have absolutely no idea why I have not heard of this book before and although it appears to be out-of-print, there are plenty of second-hand copies available online.



Something else which had hitherto slipped my attention was "Essex Crystal" cabochons. I first saw these months and months ago in the window of an antique-print shop in Brighton, but forgot about them until last week, when I went back on the off-chance that they were still there and found that they were. I normally don't much care for animal-motifs and the last objects I found with animals featured were the 1920s French bakelite buttons:

Vintage Bakelite Buttons 3


which I made into various items of jewellery. The "Essex Crystal" cabochons are from the same era but are rather different, being reverse-intaglio rock crystal which has been painted:

"Essex Crystal" Dog Cabochons - 1


They don't actually come from Essex, nor were they made by William Essex (the famous English engraver) but they take their name from him as people believed that he had invented the technique for making them. The rock-crystal is very deeply engraved:

"Essex Crystal" Dog Cabochons - 5


And then painted. The backs were often covered in gold leaf to give brilliance to the painted design and traces of this can be seen here:

"Essex Crystal" Dog Cabochons - 7


What I really like about these is the comic-book quality of the dogs, one setter, one terrier and one spaniel:

"Essex Crystal" Dog Cabochons - 4

"Essex Crystal" Dog Cabochons - 3

"Essex Crystal" Dog Cabochons - 2


They are almost "outsiderish" in the way in which they have been rendered.
Absolutely no idea what I am going to do with these!



You may recall that during July, I went mudlarking on the Thames in London and brought back a host of finds, including about 120 pieces of ancient porcelain pipe-stems. I have now cleaned these up - with loads of anti-bacterial soap! - and sorted them.

Ko si Iruufin - WIP - 2


Ready to be made into a collar.

These objects have a strange past and are fundamentally the historical equivalent of the "dog-ends" which litter the streets today. Porcelain clay pipes were sold ready-filled with a plug of tobacco: this would be smoked and then the pipe discarded. Porcelain is tougher than people give it credit for and while the bowls were mostly destroyed, the stems remained intact and have been smoothed over time by the action of the river.

Off to buy gemstones to set in the pipes!
More later.

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Tags: book, cabochon, canine, clay, collar, crafthaus, dog, essex crystal, found object, jewellery, More…jewelry, justified sinner, lyme regis, mudlark, pipe, porcelain, secret history, setter, spaniel, stem, terrier, thames, tobacco, victoria finlay, william essex

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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016.

DETAILS on exhibition premise, call for artists, submission guidelines.....

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