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Follow the red line

As a continuity of my previous post, I would like to jump some years until the beginning of the 60’s with the appearance of a key figure in…

Started by Mirla FernandesLatest Reply

Anthropophagy

As I have mentioned in my previous post, I would like to introduce you to the concept of anthropophagy and how it is strictly related to Br…

Started by Mirla FernandesLatest Reply

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1982/2010

In the very first days of 2011, Brazil has changed its presidency.  I am not a person qualified to judge this last government in terms of i…

Started by Mirla Fernandes

2 Jan 22, 2011
Reply by Mirla Fernandes

Brazilian artists in the Netherlands

Yesterday was the opening of an exhibition with brazilian jewelry artists in the Galerie Beeld & Aambeeld in Enschede, Netherlands. The…

Started by Mirla Fernandes

2 Nov 28, 2010
Reply by Mirla Fernandes

Cristina Filipe in São Paulo

If in Amsterdam Art Jewelry is taught at an Art School such as Gerrit Rietveld and in Munich it is also taught at the Kunst Akademie, in Br…

Started by Mirla Fernandes

0 Sep 17, 2010

A dialogue between drawing and jewellery

I have a tendency to make connections with other disciplines when I am looking at an Art-Jewelry piece. The points of connections with draw…

Started by Mirla Fernandes

2 Aug 28, 2010
Reply by Mirla Fernandes

Follow the red line

As a continuity of my previous post, I would like to jump some years until the beginning of the 60’s with the appearance of a key figure in…

Started by Mirla Fernandes

2 Jul 11, 2010
Reply by Mirla Fernandes

Anthropophagy

As I have mentioned in my previous post, I would like to introduce you to the concept of anthropophagy and how it is strictly related to Br…

Started by Mirla Fernandes

2 Jun 9, 2010
Reply by Mirla Fernandes

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Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

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Entfaltung collapsible fashion by Jule Waibel

See more architecture and design movies at http://www.dezeen.com/movies Royal College of Art graduate Jule Waibel has designed a series of folded paper clothes and accessories including a dress that adjusts and expands as you move and a…
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Monday
Harriete Estel Berman posted a status
"The merchandising of making exploits new technologies & brings fresh blood, but comes at a cost as well.http://j.mp/1wBtHYH"
Monday
Harriete Estel Berman posted a status
"Craft World Sucks Like Vampires http://j.mp/1wBtHYH"
Monday
Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"The Goldsmiths' Centre in Clerkenwell is the leading charity for the professional training of goldsmiths. We run a dynamic programme of courses, workshops and events for those working or aspiring to work in the industry. SETTING OUT 2015Are you…"
Monday
The Justified Sinner commented on Brigitte Martin's blog post Ayasha Wood - Embroidery
"Impressive!  I love the embroidered tweed. "
Monday
Harriete Estel Berman commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"I just love the way Dauvit Alexander uses his materials. While the selection of a "corroded iron cap from an oil-tank" and a "polycarbonate reflector material from a crashed car" are unorthodox choice of materials, they are…"
Sunday

A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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