Fred Zweig
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Fred Zweig's Page

Latest Activity

Linda Kelen liked Fred Zweig's photo
Feb 28
Fred Zweig left a comment for Lorena Angulo
"This could easily be done on a yearly basis and I hope you will continue this venue.  I will most certainly do my effort to participate in the next one."
Dec 14, 2013
Fred Zweig joined Lorena Angulo's group
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Behind the Brooch part 2

I am happy to share with all of you more images of wonderful brooches from artists around the word. I had so many submissions on my first call that I had to create a second part exhibition. This exhibition focuses on a side of the brooch we usually do not pay much attention to: the back side. Our first look is naturally always trained at the front, but when we do take the time to look at the back of a brooch, it will oftentimes reveal a surprising aspect for us, a delightful little secret. With…See More
Dec 14, 2013
Laura Roberson commented on Fred Zweig's photo
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pewter cup

"This is just exquisite!"
Jun 3, 2013

Profile Information

Where do you live ? City, State and Country
Tucson, Arizona
Place of Work ? Example: Studio, College, Gallery, Museum, ...)
Home Studio
I am a .... Example: Student, Maker, Educator, etc.
Metalsmith of 30+years
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
http:////fredz49.blogspot.com/

Fred Zweig's Photos

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Comment Wall (6 comments)

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At 1:51am on October 31, 2010, Two Claws Jewelry said…
Thank you, Fred......nice of you to say.....I will get some more up soon....
At 10:16am on October 6, 2010, Charity Hall said…
Yes, definitely. We missed you at the ADC potluck.
At 2:00pm on October 3, 2010, Glen Guarino said…
Please submit to our calls for Crafthaus artists-
Earthly Pleasures http://crafthaus.ning.com/group/crafthausexhibition/forum/topics/open-call-earthly-pleasures
Me, Myself and I http://crafthaus.ning.com/group/crafthausexhibition/forum/topics/open-callme-myself-and-i
Sitting Pretty Part 2 is how the show will look http://crafthaus.ning.com/group/sittingprettytheartsittingpretty
A show at Crafthaus has more of an audience then a gallery and offers a permanent stage to the world. We do love gallery shows, but at Crafthaus submission is easy, doesn't cost anything for members. In addition to our calls there are others you may be interested in.
We try to make the submission process as painless as possible! If you have any questions please let us know. Glen & Marie
 
 
 

Tales From the Tool Box - A Crafthaus Online Exhibition

Diana Greenwood
‘There is always one moment in childhood…’

Mantel Box 230 x 330 x 45 mm

Mantel Box in Cherry wood with a hinged glass door, containing a silver vessel marked ‘drink me’, marbles, sweets and found objects

A piece about childhood, forgotten toys, favorite stories and the loss of innocence as the future beckons, inspired by ‘Garden of Love’ by William Blake.

Image Credit: Diana Greenwood

www.diana-greenwood.com

View the new CRAFTHAUS online exhibition (October 24-November 24, 2014)

Tales from the Tool Box - Chapter 1

Curated by Mark Fenn - Studiofenn, UK

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Entfaltung collapsible fashion by Jule Waibel

See more architecture and design movies at http://www.dezeen.com/movies Royal College of Art graduate Jule Waibel has designed a series of folded paper clothes and accessories including a dress that adjusts and expands as you move and a…
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Rebecca Skeels commented on Rebecca Skeels's group The Association for Contemporary Jewellery
"The Goldsmiths' Centre in Clerkenwell is the leading charity for the professional training of goldsmiths. We run a dynamic programme of courses, workshops and events for those working or aspiring to work in the industry. SETTING OUT 2015Are you…"
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Harriete Estel Berman commented on Mark Fenn - Studiofenn's group Tales From the Tool Box - Chapter One
"I just love the way Dauvit Alexander uses his materials. While the selection of a "corroded iron cap from an oil-tank" and a "polycarbonate reflector material from a crashed car" are unorthodox choice of materials, they are…"
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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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