Place of Work ? Example: Studio, College, Gallery, Museum, ...)
I am a .... Example: Student, Maker, Educator, etc.
There is a symbiotic relationship between fine art and all forms of design - a conceptual fluidity where influences may move freely between disciplines promoting exchange and evolution.
I am inspired by the form, colors and textures of objects both artistic and common: architecture, furniture, paintings, ceramics, fashion...
My work is based on geometric shapes - their inherent strength, applicability, and timelessness command my respect.
Balance rather than symmetry.
By 1975 I had completed my fundamental studies in jewelry design and began experimenting with various metals and techniques. I knew that jewelry making was my direction, my métier. Two years later Janis Kerman Design was established. The focus of my work for the next ten years was the design and production of limited edition collections, detailing for fashion accessories and unique pieces. Though I enjoyed the production years and the fact that my designs were available to many, my need to focus on unique pieces was determining the next era of work. Since 1986, I have been working exclusively in precious metals, gems and experimental materials.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
Thanks for signing up again with crafthaus. Your active membership is valid through November 15, 2017. Now that you’ve successfully re-registered you can get even more involved. This means, you’re not just getting the whole crafthaus picture... you are a part of it. Your contributions via blogs, photos, and discussions will enrich our open crafthaus environment immensely, so please let us know what’s going on in your art life! Don't hold back! If there are ever any questions or concerns, don't hesitate to email me via crafthauseditor at live dot com, I will do my best to be of help.
"Linda's opinion mirror my own."I am so very much on board with this concept. I have considered applying for residencies, but the fact that I need my own tools and equipment to pursue my intended projects eliminates most residency studio…"
MAJSRP 2015-2016School of jewellery, Birmingham, UKProfessor Jivan Astfalck 2016Boundless Boundaries was the graduate showcase exhibition of the MAJSRP 2015-2016, held at Birmingham Museum, UK, Sept 5th - 15th, 2016…See More
This blog is intended as a guide for potential and current MFA students, focusing on those in the craft disciplines. It will primarily focus on tips for prospective students, but will also address the needs of those currently working toward their…See More
"I am so very much on board with this concept. I have considered applying for residencies, but the fact that I need my own tools and equipment to pursue my intended projects eliminates most residency studio spaces. Plus disrupting family life…"
What happens when professional craft artists are allowed to let loose when they get to explore their mischievous and irreverent sides? Find out in this groundbreaking book, which, for the very first time, reveals an entirely different side of serious craft. Hundreds of images and essays from all over the world allow you to gain insight into the creative minds of contemporary artists like never before.
A variety of traditional craft media are shown, such as furniture, ceramics, glass, fiber, jewelry, and metal, as well as a number of unique, nontraditional techniques. Even a bus shelter in London gets a creative make-over that is sure to make you smile!
The topics range from the playful to the serious, but the message is always most enjoyable. Humor in Craft is a treasure trove for craft aficionados and humor enthusiasts alike.