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Gray Area Symposium ::: Mexico City April 2010

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Gray Area Symposium ::: Mexico City April 2010

Gray Area, First Encounter of Contemporary Jewellery between Latin America and Europe, aims to create an interdisciplinary frame of reference for contemporary jewellery and its practices within a truly multinational discourse. April 2010, Mexico.

Website: http://grayareasymposium.org/
Location: The Netherlands - Mexico
Members: 36
Latest Activity: Jun 12, 2010

Gray Area Gris, Mexico City 2010


April 12th to 16th 2010
Mexico City

The Otro Diseño, Foundation for Cultural Exchange and Development and the Dutch agency Design Flux, in partnership with a large number of cultural organizations from Latin America and Europe have the pleasure to invite you to take part in Gary Area Gris, Encounter of Contemporary Jewellery between Latin America and Europe.

This extensive, international event encompasses a five day symposium, a series of 8 exhibitions and an array of social activities that bring together visual artists, designers, jewellery makers, academics, researchers and promoters from Latin America and Europe on a stage that stimulates friendly, creative, and engaging discussions, able to create an interdisciplinary frame of reference for contemporary jewellery and its practices within a truly multinational discourse.

Gray Area poses a series of encounters that promote intercultural dialogue within the field of contemporary jewellery and, on its first edition, this dialogue is focused in two continents: Latin America and Europe.

In an era of globalization, cultural reciprocity is fundamental. Learning about others does not only help us to understand and appreciate from what we considered as foreign, but also to learn about ourselves. This symposium aims to promote understanding and appreciation of the diverse ways to view, experience, and create jewellery, to encourage cultural exchange among jewellery makers in Latin America and Europe and to combine forces to expand the audience and market for this exciting discipline.

From April 12th to 16th 2010, the symposium Gray Area will take place in Mexico City’s Historic Center. The lectures will take place at Ex Tersa Arte Actual, Center for Experimental Arts, while the exhibitions will be hosted by museums, galleries, cultural centers and public venues, such as Ex Teresa, Galeria 100M3, Galeria Mexicana de Diseno, Dulceria de Celaya, Ex-Galeria La Refaccionaria, Casa Vecina, among others.

Participants from all over the world are welcomed to attend. We invite you to visit our website to learn more about this exciting event and register to attend the symposium.

www.grayareasymposium.org

Registration fee for Gray Area Gris:

$3000 Mexican Pesos for Latin American participants
€250 Euros for participants from non-Latin American countries

The fee includes:

5 day symposium
Inauguration circuit to all exhibitions
Lunch and coffee break
Working materials

Registration will be open online in our website as from October 15th. Please note that due to the large amount of registration inquiries we will apply a strict first-registered, first-served policy.

Do not hesitate to contact us if you have questions or comments and feel free to forward this message to the people that you think will find it interesting.

We are looking forward to see you all in Mexico City!

Discussion Forum

Notes from the Gray Area Symposium Day 4 and closing

Started by Katja Toporski. Last reply by Katja Toporski Apr 26, 2010. 4 Replies

Notes from the Gray Area Symposium Day 3

Started by Katja Toporski. Last reply by Katja Toporski Apr 26, 2010. 11 Replies

last day

Started by Katja Toporski Apr 22, 2010. 0 Replies

Notes from the Gray Area Symposium Day 2

Started by Katja Toporski Apr 18, 2010. 0 Replies

Notes from the Gray Area Symposium Day 1 njl

Started by Katja Toporski. Last reply by Magali Anidjar Apr 18, 2010. 5 Replies

Technical Difficulties

Started by Katja Toporski Apr 15, 2010. 0 Replies

Day 1

Started by Brigitte Martin Apr 13, 2010. 0 Replies

Gray Area Mexico City

Started by Katja Toporski. Last reply by Katja Toporski Apr 13, 2010. 1 Reply

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John Lunn replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
"I agree 100% Brigitte. It is more work than most attendees will ever know to put together a conference like this and I, too, raise a toast of HEAR HEAR! to all involved. It was a great conference. I hope I will be able to help SNAG with whatever…"
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John Lunn replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
"While, I'm offering some responses and feelings about the conference, it in no way diminishes the overall view that I really enjoyed it and thought it very worthwhile. All of the presentations and exhibits were valuable and help create a…"
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Brigitte Martin replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
"Regarding whether or not Toronto was a "good conference", I do respectfully disagree with Harriete. This was my 6th conference (Cleveland, Philly, Houston, Seattle, Phoenix, Toronto) and while I liked them all for different reasons, I…"
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Harriete Estel Berman replied to John Lunn's discussion SNAG Toronto part 3 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
"Just to respond to a few sentences in this particular post:  John said, "At the SNAG conference almost everyone had a college degree in the arts." Actually I think you might be surprised at the number of people at the Conference and…"
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Jennifer Dewey liked John Lunn's group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
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Jennifer Dewey liked John Lunn's discussion SNAG Toronto part 3
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John Lunn replied to John Lunn's discussion SNAG Toronto part 2 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
"I'm with you, Emanuela. But let me respond from the perspective of the people I talked with: the talent lies in who and how you use the technology. I guess time will prove or disprove this. In the meantime, I'm much more content to feel…"
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Brigitte Martin liked John Lunn's discussion SNAG Toronto part 3
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John Lunn added a discussion to the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
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SNAG Toronto part 3

I come from a very different background than most at the conference. I apprenticed with a self taught flutemaker. After 3 years, the only CV I left with was a flute I made that got me hired by a Boston company. I designed my own flute from experience and imagination. To this day my work has always been my only resume.At the SNAG conference almost everyone had a college degree in the arts. Whenever a speaker was introduced, their education highlights were listed along with the schools they were…See More
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Sun Kyoung Kim liked Brigitte Martin's blog post Science meets Craft: Origami Engineering - David Gracias
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Emanuela Aureli replied to John Lunn's discussion SNAG Toronto part 2 in the group Tapestry of Talents: Bringing Your Whole Voice to Your Craft
"i was not able to attend the snag conference in toronto, but discussions about the state of the art/jewelry is nevertheless dear to me and i am following developments on several fronts. the whole issue of technology, like cad, and anything that…"
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Heidi Hinder left a comment for Brigitte Martin
"Thanks Brigitte! Glad to be here (it's been one of those things I've been meaning to do for a while - sorry for the delay!) Looking forward to exploring the site :)  "
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Benjamin Dory left a comment for Brigitte Martin
"Likewise, great to meet you at the conference! I'm looking forward to next time. Until then, best regards!"
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Brigitte Martin left a comment for Heidi Hinder
"This was today's newsletter sent out earlier today: http://crafthaus.ning.com/page/what-s-new-newsletter-may-21-2013 To help get you situated .... Best, Brigitte "
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Showing Publicly and Building a Legacy Privately

- by Rebecca Rose. 2013, SNAG/crafthaus Scholarship Recipient

For the next 13 months we'll discuss the trials, triumphs, and tribulations of exhibiting  in art shows as emerging artists and established artists. Exhibition coverage will be balanced with tips on how to strategically build a legacy over a length of time, in a way that makes sense to your individual goals as an artist and maker. 

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