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Gray Area Symposium ::: Mexico City April 2010

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Gray Area Symposium ::: Mexico City April 2010

Gray Area, First Encounter of Contemporary Jewellery between Latin America and Europe, aims to create an interdisciplinary frame of reference for contemporary jewellery and its practices within a truly multinational discourse. April 2010, Mexico.

Website: http://grayareasymposium.org/
Location: The Netherlands - Mexico
Members: 27
Latest Activity: Jun 12, 2010

Gray Area Gris, Mexico City 2010


April 12th to 16th 2010
Mexico City

The Otro Diseño, Foundation for Cultural Exchange and Development and the Dutch agency Design Flux, in partnership with a large number of cultural organizations from Latin America and Europe have the pleasure to invite you to take part in Gary Area Gris, Encounter of Contemporary Jewellery between Latin America and Europe.

This extensive, international event encompasses a five day symposium, a series of 8 exhibitions and an array of social activities that bring together visual artists, designers, jewellery makers, academics, researchers and promoters from Latin America and Europe on a stage that stimulates friendly, creative, and engaging discussions, able to create an interdisciplinary frame of reference for contemporary jewellery and its practices within a truly multinational discourse.

Gray Area poses a series of encounters that promote intercultural dialogue within the field of contemporary jewellery and, on its first edition, this dialogue is focused in two continents: Latin America and Europe.

In an era of globalization, cultural reciprocity is fundamental. Learning about others does not only help us to understand and appreciate from what we considered as foreign, but also to learn about ourselves. This symposium aims to promote understanding and appreciation of the diverse ways to view, experience, and create jewellery, to encourage cultural exchange among jewellery makers in Latin America and Europe and to combine forces to expand the audience and market for this exciting discipline.

From April 12th to 16th 2010, the symposium Gray Area will take place in Mexico City’s Historic Center. The lectures will take place at Ex Tersa Arte Actual, Center for Experimental Arts, while the exhibitions will be hosted by museums, galleries, cultural centers and public venues, such as Ex Teresa, Galeria 100M3, Galeria Mexicana de Diseno, Dulceria de Celaya, Ex-Galeria La Refaccionaria, Casa Vecina, among others.

Participants from all over the world are welcomed to attend. We invite you to visit our website to learn more about this exciting event and register to attend the symposium.

www.grayareasymposium.org

Registration fee for Gray Area Gris:

$3000 Mexican Pesos for Latin American participants
€250 Euros for participants from non-Latin American countries

The fee includes:

5 day symposium
Inauguration circuit to all exhibitions
Lunch and coffee break
Working materials

Registration will be open online in our website as from October 15th. Please note that due to the large amount of registration inquiries we will apply a strict first-registered, first-served policy.

Do not hesitate to contact us if you have questions or comments and feel free to forward this message to the people that you think will find it interesting.

We are looking forward to see you all in Mexico City!

Discussion Forum

Day 1

Started by Brigitte Martin Apr 13, 2010. 0 Replies

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2014 Crafthaus Project Grant Recipient

Crafthaus is pleased to announce that Leisa Rich's project "Invisible:VisAble" garnered 968 votes of 2,575 total votes cast (37.59%) and is the 2014 Crafthaus Project Grant Winner.

Starting in November, we all look forward to following Leisa's crafthaus blog about her project.

Thank you to everyone who voted. Much success for all projects!

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A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.

The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?

We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!

DETAILS on exhibition premise, call for artists, submission guidelines.....

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