Place of Work ? Example: Studio, College, Gallery, Museum, ...)
home studio, president of Maui Metal Arts Guild, instructor @ art centers & college level
I am a .... Example: Student, Maker, Educator, etc.
I am an artist, most often working in silver, gold, acrylic and polycarbonate in combination with unusual natural materials. I create one of a kind pieces of art jewelry, as well as a line of contemporary art jewelry. When I'm not in my home studio, I'm teaching metalsmithing classes, and am very involved with my local Metal Arts Guilds. In my time off I enjoy international travel, hiking, camping, cooking and yoga.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
"Hey Jennifer! just saw the message from a while back. My boyfriend was raised in Ireland, so we moved there together so he could be "home". It is still new for me, but is green and beautiful, I can't wait to see how it influences my…"
Yeah, that was a good surprise. Hey I wanted to ask you if I melted down some old gold necklaces of different K's would it still look nice? My aunt wants me to make her something new out of her old pieces. xoxo Hope you're well
Last day of October and spooky hallowe'en is here again. I've never much bothered with the festival as I'm not much of a horror fan but this year I've been paying a bit more attention and have been finding it quite funny, especially the non-gendered gingerbread person biscuits which one of the fashion students had iced to look like skeletons:…See More
The only place for cloth fibers, human hair and dust in my home is the vacuum cleaner, but that's not the case for Japanese artist Takahiro Iwasaki, who loves to use them to create detailed miniature scenes that depict Japan's industrial…See More
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!