Place of Work ? Example: Studio, College, Gallery, Museum, ...)
home studio, president of Maui Metal Arts Guild, instructor @ art centers & college level
I am a .... Example: Student, Maker, Educator, etc.
I am an artist, most often working in silver, gold, acrylic and polycarbonate in combination with unusual natural materials. I create one of a kind pieces of art jewelry, as well as a line of contemporary art jewelry. When I'm not in my home studio, I'm teaching metalsmithing classes, and am very involved with my local Metal Arts Guilds. In my time off I enjoy international travel, hiking, camping, cooking and yoga.
Your website, DIRECT flickr or DIRECT facebook links where your work can be seen.
"Hey Jennifer! just saw the message from a while back. My boyfriend was raised in Ireland, so we moved there together so he could be "home". It is still new for me, but is green and beautiful, I can't wait to see how it influences my…"
Yeah, that was a good surprise. Hey I wanted to ask you if I melted down some old gold necklaces of different K's would it still look nice? My aunt wants me to make her something new out of her old pieces. xoxo Hope you're well
A modern metalsmith/metal artist can be found working in traditional metals as well as in nontraditional materials. The designs can range from the classic to the extravagant, and the techniques can either be centuries old or decidedly current.
The wide range of expression preferences, design options, materials, and processes has lead within our field to unfavorable misconceptions, misunderstandings and in some cases even outright disdain between artists. Can the metal and jewelry field overcome its division and send out a much-needed signal?
We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making!
Arriving at this message is the goal of this traveling exhibition opening at the SNAG conference in Boston 2015, Velvet da Vinci, San Francisco, CA - Aug 19 - Sept 20, 2015, Equinox Gallery, San Antonio, TX - Oct 16 - Nov 15, 2015, Baltimore Jewelry Center, Baltimore, MD - Dec 11, 2015 - Jan 08, 2016, Brooklyn Metal Works, Brooklyn, NY - Feb 5 - Mar 4, 2016, Thomas Mann's Gallery I/O April 1 - June 25, 2016.
I've just got back from almost a week in the Lone Star State which I was visiting on the invitation of my friends and colleagues, James Thurman and Umut Demirguc Thurman. What a trip! Based in Denton, Dallas, the main reason for my visit was to speak to the students at the University of North Texas and to work with them on a couple of practical workshops. Before…See More
Every Fall, crafthaus awards a micro project grant to a crafthaus member regardless of location, professional background, or craft field. The grant is unrestricted and intended to provide assistance for a personal or group project.All projects will be published anonymously, without revealing any personal information about the submitting party.The crafthaus membership and the general public review all proposed projects and vote for the one they wish to see supported. One vote per person.Voting…See More
Can the metal and jewelry field overcome its division and send out a much-needed signal?We appreciate and respect our historical past and acknowledge that current materials have a rightful place in jewelry/object making! Arriving at this message is the goal of this exhibition cooperatively arranged by Rachel Timmins and Brigitte Martin.Please join this group to stay informed !! This is the official exhibition blog.See More
I am happy to share with all of you more images of wonderful brooches from artists around the word. I had so many submissions on my first call that I had to create a second part exhibition. This exhibition focuses on a side of the brooch we usually do not pay much attention to: the back side. Our first look is naturally always trained at the front, but when we do take the time to look at the back of a brooch, it will oftentimes reveal a surprising aspect for us, a delightful little secret. With…See More
Instill - Material Matters 2014 - The School of Jewellery at Birmingham City University, UK
INSTILL- material matters offers an opportunity to experience the recent works by MA postgraduates from The School of Jewellery at Birmingham City University, one of the most important and internationally renowned contemporary jewelry programs in Europe.
Crafthaus has been privileged to show work from the graduating jewelry classes of the Birmingham City University for the past 5 years in a row. Thank you Professor Astfalck for this wonderful opportunity!